Monday, May 16, 2022

Review of Ogres by Adrian Tchaikovsky

My review of Ogres by Adrian Tchaikovsky

Speculative novella (available in ebook and limited edition signed hardcover)

5 of 5 (wow wow wow!)

I'm already a fan of Adrian Tchaikovsky's writing from some of his SF work, but when it comes to fairy tales I tend to be pretty hesitant, so the opening to this novella had me very leery. But I kept at it, and boy was it worth it. A fantastic read that keeps up a solid pace and plenty of turns that are thought provoking and significantly deepen the story. Very worth the full price of admission. I'll have to grab a hardcover for my collection. This is one to re-read. The POV was fantastic here. Really enjoyed the narration and the use of 2nd person POV (I really enjoy good examples of this to use it against the naysayers --> 2nd person is so so so useful and engaging and here is yet another example of that).

Don't miss out. This is definitely a read you want to dive into. Note: I read an advanced copy from NetGalley and am very thankful for that. Still hoping to snag copy of the hardcover though. It was that good!

External links to the review

Goodreads: https://bit.ly/3wvL95Q
Twitter: https://bit.ly/3a63IpE

Sunday, April 17, 2022

Late-April 2022 Update

Hi everyone,

I hope you've been doing well and still writing and subbing and all those good things. I've slowed down quite a bit, though I recently noticed my first short story sale (December 2021) was mentioned in the Showcasing Art section of my hometown's Gazette-Times. Motivating to see. Have to get more out there for people to read, right? I'll have two stories published later this year I believe, though I do not know the specific dates yet. In the meantime, need to push through with new work. I only have 8 pending currently?! Last year, I almost always had 20 or more works pending at various markets. SO... that's a really low number for me.

Futurescapes: went to it in March and it was nice for what it was. I enjoyed meeting more writers. Now I have another group of writers I can exchange critiques with, so that should be of help. The agent leading our group was engaging and had some useful thoughts on each of our samples, as did the other writers. Some good points about my work; problem being, some criticism only made me want to drill down even further on what wasn't working for them since that's part of the unique draw of my novel. That's how critique sessions go. I think I'll likely re-read the novel that nudged me further down my dark, frenetic path, and will push through a final revision pass to make this novel even more so, then get another handful of critiques before trying to contact agents again.

I took a workshop with Dan Wells, which was a trip for me, since I'm a fan and include his work as an influence on mine. I do have notes but nothing spectacular to share. I enjoyed the Q&A sessions with writers. I especially found some nuggets of motivation when listening to S.L. Huang and Kate Dollarhyde. I took better notes on what Dollarhyde said, so here you are, some actual content that might be of interest.

Dollarhyde talked about her work with video games, which unfortunately I didn't really take good notes on, but she does discuss more of that in her substack here. How impressive to be nominated for a Nebula for a video game you've put so much of yourself in (The Outer Worlds)! I decided to ask about short stories and getting them published. I mentioned that I recently made my first short story sale to an indie publisher, and she said that smaller magazines were first steps for her, too. A slow struggle. To level up her craft, she read for places she wanted to submit stories to, such as Apex Magazine (and I imagine Strange Horizons where she was co-editor-in-chief for a few years). She zeroed in on writers with a style that engaged her (mentioned Seth Dickinson: strong openings, really punchy that goes hard and uses unique protagonists and stylings; also, Vajra Chandrasekera at Strange Horizons who has the story The Translator at Low Tide at Clarkesworld). She read every issue for a magazine she loved (Shimmer). When she gets personal rejections, she revises if she agrees with the criticism, but first she sits with the feedback and asks whether this meets with her own goals. Then she ignores any that doesn't meet her goals and revises in her own direction. Focus on things that felt singular and make your voice sing. She also mentioned influences from new weird stories, China Mieville novels, Jeff Vandermeer, Samuel Delaney. Soaking those authors stories impacted her style. Also, the weird cities of Tanith Lee, Storm Constantine (weird dark, weird relations), The Etched City by K.J. Bishop (also: That Book Your Mad Ancestor Wrote; and the short story The Art of Dying). Mentioned influence from photography (observant of slant of life, shapes, colors, what people are doing in spaces). Be interested, curious, observant. Mentioned current games/reads/shows she enjoyed: Destiny The Witch Queen, Pyre, How High We Go In the Dark by Sequoia Nagamatsu, Station Eleven show.

Anyway, I've been reading a lot of comics and recently finished a first read of Dhalgren by Samuel Delaney. Lots to say about both, but I'll save that for another time. My comic reading habits have been somewhat random, with some focus on horror (SiKtC) and some just random mot. Might try to dip into what Alyssa Wong's written in comics next, as I loved her horror short stories, though just from a glance her comics seem fairly different (more action flick) and perhaps not quite what I'm reading these days.

Please feel free to browse my latest updates to the lists below. Happy writing and subbing. Best of luck with it all!

R.J.K. Lee


In no way are the listings below complete, but these should help point the way to some good possibilities when sending your work off. I'll add more soon.

Some market updates and changes to note:

The Dread Machine now pays 5¢/word instead of 3 for original fiction up to 5500 words (dark future / cyberpunk / literary SF / slipstream / magical realism)

SFWA's opened its doors to more members. Review the changes here. Cat Rambo detailed some of the reasons she voted for the change here

Cossmass Infinities only open two months a year: February and October (see October entry below)

Fantasy Magazine is open to BIPOC submissions all year (open to general subs 7/1-7/7 and 10/1-10/7)

Fireside Fiction is closing permanently to submissions (they'll still publish what they have already purchased but after that, they will not be seeking any more stories in the future)

As noted on Locus, "small-press horror press Silver Shamrock Publishing closed" on the first weekend of April. Hence, their Midnight in the Stagecoach anthology window is no more.

EDIT: 
Just noticed on Twitter that Zooscape will not open in August after all. They will open to submissions from December (12/15) and I updated the list accordingly.

Table of Contents:

1. Deadlines/Windows (4/20/2022 and beyond; paying 6¢/word or more)
2. Open Publications (no deadline; paying 6¢/word or more)
3. Deadlines/Windows (4/20/2022 and beyond; paying up to 5¢/word)
4. Open Publications (no deadline; paying up to 5¢/word)
5. Deadlines/Windows (4/20/2022 and beyond; advance/royalties or benefit/charity)
6. Search for More Markets Here
7. Browse Links to Advice/Lists/Workshops

1. Deadlines/Windows (4/20/2022 and beyond; paying 6¢/word or more)

4/21 (assume: midnight EST/EDT), Flash Fiction Online, 500-1000 words, 8¢/word, Genre: any, Anonymous submissions, Reprints OK (2¢/word), Simultaneous NO, Multiple OK (only one original and one reprint concurrently), Note: open 1st-21st almost every month (closed in December)

4/29, Science Write Now #7, unspecified word count, Pay: 30¢/word up to $390 for new stories ($70/poem or $180 for three poems; $40 for reprint stories or essays; $20 for reprint poems), Genre: various (poems, short stories, book reviews, or literary or personal essays related to science, technology, engineering, or maths), Theme: "Science, Humour, and the Absurd" (explores how humour and the absurd shape cultural ideas of science and, in turn, how the world of science influences comic performance in popular culture, art and literature), limited to Australian writers or writers living in Australia, Reprints OK, Poetry OK, Nonfiction OK, Simultaneous NO, Multiple NO 





























2/7-7/16 (flexible), Sovereign: An Anthology of Black Fantasy Fiction, 1000-39,999 words, 8¢/word for first 1000 words (1¢/word after first 1000 words), Genre: Fantasy (Heroic, Mythic, Flintlock, Gaslamp, Medieval, Religious, Weird West, Arcanepunk, High/Epic Fantasy, Sword and Soul/Planet, 


7/1-7/21 (assume: midnight EST/EDT), Flash Fiction Online, 500-1000 words, 8¢/word, Genre: any, Anonymous submissions, Reprints OK (2¢/word), Simultaneous NO, Multiple OK (only one original and one reprint concurrently), Note: open 1st-21st almost every month (closed in December)

3/1-7/31, Pseudopod (reprints from 2022 Anthologies and Collections), ~6000 words (1500-6000 for original short fiction; sweet spot of 4500 words; also welcomes flash under 1500 words), $100 for short fiction reprints ($20 for flash fiction under 1500 words; 8¢/word for original fiction with window opening in August), Genre/Theme: any horror for audio (dark, weird fiction; dark humor; any subgenres from grim realism and crime drama to magic-realism and supernatural dark fantasy), Simultaneous OK (must provide disclosure), Multiple OK (one original & one reprint) publishers send collections / anthologies published in 2022 (highlight stories original to that publication), authors ask their publisher to send the book (if they're not interested, still submit story and include collection/anthology title in the cover letter), submit via moksha portal)

7/31, Little Blue Marble, ~2000 words, CAD 10¢/word (will match USD 8¢/word if CAD/USD rates drop), Genre/Theme: speculative (fiction that examines humanity’s possible futures living with anthropogenic climate change; prefers hopeful outlook, but the occasional dystopia might fit; "while science is an important piece for solving the climate change puzzle, we challenge writers to also examine our existing social, cultural, political, and economic frameworks and envision new ones to help see us through to a better, more sustainable world"), Reprints OK (~5000 words, 1¢/word), Poetry OK, Non-fiction OK (1000-2000 words), Simultaneous OK, Multiple NO, send submissions to submissions@littlebluemarble.ca


















2. Open Publications (no deadline; paying 6¢/word or more)




































Solarpunk Magazine, 500-7500 words, 8¢/word ($80 min), Genre: any (prefers solarpunk / SF/F / slipstream / magical realism / urban fantasy; not strict about genre), Theme: solarpunk (specifically any work that "speculates about a better world in an equitable future where humanity and technology have either achieved a healthy balance with nature, or have adapted to climate change in creative ways"), (Poetry OK (up to 5 poems or 5 pages of poems, whichever is shorter; $40/poem), Simultaneous OK, Multiple (one submission per category of flash, short story, and poetry), Nonfiction OK (1000-1500 words, $75/piece), Art OK ($100/reprint cover, $300 original cover, $50 reprint inside, $150 original inside), Submission window for Issue 1 is 11/1/1-11/14,  Note: this window depends on their September/October Kickstarter success




















3.
 Deadlines/Windows (4/20/2022 and beyond; paying up to 5¢/word)

2/20, Orion's Beau, ~5000 words, $3, Genre/Theme: gay fantasy (open to SF/Fantasy/Paranormal/Dark Fantasy), Poetry OK, Art OK, Reprints NO, Simultaneous NO, Multiple OK (up to five shorter pieces or poems in the same document; up to 10 art pieces in one document) 

2/28, Nerve Janglers: Thirteen Tales of Terror (Night Terror Novels; edited by J. D. Keown), 2,500-10,000, £25, Genre/Theme: teen-grade YA Horror, Reprints NO, Simultaneous OK, Multiple OK (up to two submissions at a time), submit to nightterrornovels@gmail.com (see website for details)

2/15-2/28 (all authors) and 3/1-3/7 (BIPOC only), Apparition Literature (Wanderlust theme), 1000-5100 words, 3¢/word, Genre: any speculative (F/SF/Horror/Literary; wants strange, heart-breaking emotion, pro-active characters, and style; see more details on website), Theme: Wanderlust (upcoming: Omen in May and Nostalgia in August), Poetry OK (~2 pages/poem; sub ~5 poems/submission, $30/poem), submit stories to submissions@apparitionlit.com (use Shunn manuscript format, Times New Roman or Arial font, title file using story title and last name, attach to email as RTF file, email subject line of SUBMISSION: title of story)

2/28, Mud Season Review, ~6000 words, $50, Genre/Theme: general/literary (wants fully realized stories that remind us of what it means to be human, that take risks, that show us something new, and that stand up over multiple reads, deepening with each encounter), Poetry OK (portfolio 3-5 poems, up to 10 pages), Non-fiction OK (~6000 words), Art OK (1-6 images), submit via online portal

3/18, Disabled Authors SFF Anthology (Forest Avenue), ~5000 words (flash welcome), $100 (reprints $25), Genre: SF/Fantasy/Speculative by disabled writers living in the USA (literary with a touch of genre OK; a story that borders horror might be OK), Reprints OK, submit via online portal

3/31/2022, upstreet, ~5000 words, $50-$250 for short stories or essays (generally 5¢/word for ~1000 words), Genre: general/literary, Simultaneous OK, submissions window is September to March

3/31, Triangulation: Energy, ~5,000 words (sweet spot = 3,000; no poetry limit but over 100 lines a hard sell), 3¢/word (Poetry: 25¢/word), Genre: SF/Fantasy/Horror/Weird (must have a speculative element), Theme: the possibility of creating sustainable energy with alternative technologies or social change, Poetry OK, Reprint NO, Multiple NO (but can sub another story if rejected before end of reading period), Simultaneous NO, sub via Submittable link w/ a short bio in the cover letter

3/31, SNAFU: Dead or Alive (Cohesion Press), 2,000-10,000 words, AU5¢/word, Genre: SF/Fantasy/Horror, Theme: action-based horror in the wild west



5/15-5/31 (all authors) and 6/1-6/7 (BIPOC only), Apparition Literature (Omen theme), 1000-5100 words, 3¢/word, Genre: any speculative (F/SF/Horror/Literary; wants strange, heart-breaking emotion, pro-active characters, and style; see more details on website), Theme: Omen (upcoming: Nostalgia in August), Poetry OK (~2 pages/poem; sub ~5 poems/submission, $30/poem), submit stories to submissions@apparitionlit.com (use Shunn manuscript format, Times New Roman or Arial font, title file using story title and last name, attach to email as RTF file, email subject line of SUBMISSION: title of story)

5/1-5/31, Abyss & Apex (poetry window), prefers "lineated free verse with a limited amount of traditional form poetry with at least 9 lines or prose poems at least 50 words in length but we will publish brilliant shorter work", $5.50/poem, Genre/Theme: any speculative (seeks strong, emotionally resonant, literary-quality poetry with a clear speculative element), dark poetry welcome but not horror

7/1-7/14, Cosmic Horror Monthly edited by Charles Tyra, 1000-7500 words (prefer 3000-5000), 3¢/word (1¢/word reprints), Genre: Cosmic Horror/Lovecraftian/Weird, Theme: strongly favors stories with a contemporary narrative style (Lovecraftian themes and mythos works are welcomed but try to avoid Lovecraft pastiche and styles mimicking that of his writer circle from the early 20th century), Reprints OK (1¢/word), Art OK (interior $10-$20; $100 cover), Simultaneous OK, Multiple NO, (submit as doc/docx attachment with cover letter including brief background/word count/brief synopsis to submissions@cosmic-horror.net

8/1, Brute: Raunch, Scares, and Rough Trade (Lethe Press; edited by Lambda Literary Award winner Steve Berman), 2500-9000 words, 5¢/word, Genre: Horror/Dark Fantasy/Weirdness, Theme: dark and speculative short stories that address gay sexuality, desire, masculinity, and the aesthetics of "rough trade", Reprints OK (1¢/word), Simultaneous NO, Multiple NO, Note that you must query concept details first before submission

5/16-8/15, Dark Recesses (window for Fall Issue), 500-5000 words, 5¢/word, Genre: horror/dark fiction, note variants from standard manuscript format (single-spaced, no indents), Nonfiction OK (but read specifics on their site)

8/15-8/31 (all authors) and 9/1-9/7 (BIPOC only), Apparition Literature (Nostalgia theme), 1000-5100 words, 3¢/word, Genre: any speculative (F/SF/Horror/Literary; wants strange, heart-breaking emotion, pro-active characters, and style; see more details on website), Theme: Nostalgia, Poetry OK (~2 pages/poem; sub ~5 poems/submission, $30/poem), submit stories to submissions@apparitionlit.com (use Shunn manuscript format, Times New Roman or Arial font, title file using story title and last name, attach to email as RTF file, email subject line of SUBMISSION: title of story)


4. Open Publications (no deadline; paying up to 5¢/word or more)

Apparition Literature, 1000-5100 words, 3¢/word, Genre: any speculative (F/SF/Horror/Literary; wants strange, heart-breaking emotion, pro-active characters, and style; see more details on website), Theme: Charm theme open to BIPOC until 12/7/2021 (upcoming themes are Wanderlust in February 2022, Omen in May, and Nostalgia in August), Poetry OK (~2 pages/poem; sub ~5 poems/submission, $30/poem), submission windows include February 15-28 (March 1-7 BIPOC creators only), May 15-31 (June 1-7 BIPOC creators only), August 15-31 (September 1-7 BIPOC creators only), November 15-30, (December 1-7 BIPOC creators only), submit stories to submissions@apparitionlit.com (use Shunn manuscript format, Times New Roman or Arial font, title file using story title and last name, attach to email as RTF file, email subject line of SUBMISSION: title of story) 

Black Hare Press, 5000-17,000 words, $25 (5k-10k), $50 (10k-17k), Genre: anything dark, anonymous submissions, wants British spellings, anthology in print and digital formats, include in email real name, pseudonym, ~100 word bio w/ ~4 social links, 40-word blurb, ~500-word synopsis

Bourbon Penn, 2000-7500 words, 2¢/word, Genre: speculative (odd/imaginative ones), especially slipstream/cross-genre/magic realism/absurdist/surreal

Crow Toes Quarterly, ~3000 words, $25 (1-1500 words) or $50 (1501-3000 words), Genre: playfully dark fiction for children ages 8-13, Poetry OK (1-5 pieces in a single doc/pdf; $20/poem), Art OK (1-5 pieces; $20-60), Simultaneous OK, Multiple NO, submit to ctqsubmissions@gmail.com with brief bio (include type of submission, title of submission, and name of artist/author in the subject line)

Dark Moon Digest, opens on the 1st every month and closes when full 1500-7000 words, 3¢/word, Genre: Horror (complex, creepy, like Twilight Zone or Black Mirror, Simultaneous OK











The Common Tongue Magazine, 600-6000 words, 3¢/word, Genre: only high fantasy with a dark tone (dark fantasy, grimdark, sword & sorcery), Languages: English or Spanish (translations also accepted),  Poetry OK (up to 40 lines), Note: seeking original stories or stories set in their Arthuruin Shared Universe, Nonfiction OK (~2500 words, 3¢/word), Art OK ($200-400)

The Dread Machine, ~5,500 words, 5¢/word, Genre/Theme: dark future / SF / cyberpunk / slipstream (wants: magical realism, literary SF, alternative realities, diverse protagonists, unique dystopias/utopias, unconventional societies), Reprints OK (~7,000 words, 1¢/word, will not accept if available online for free), Poetry OK (~50 lines, $10/poem), Anonymous Submissions, Simultaneous OK, Multiple OK (up to 3 submissions sent separately), submit here after creating free account




5. Deadlines/Windows (4/20/2022 and beyond; advance/royalties or benefit/charity)
6. Search for More Markets Here










Where to Submit Short Stories: 30 Magazines and Websites That Want Your Work, a decent list with a literary focus

SFWA Market Report—April 2022

7. Browse Links to Advice/Lists/Workshops

Shadowspinners often has a wonderful assortment of blog posts from various writers, such as Eric M. Witchey.

M. Todd Gallowglas does some fun and engaging classes that really inspire you to produce meaningful new work; check out his shows on Twitch or his workshops

Wulf Moon's Super Secrets: a ton of great advice on writing short stories that win (he runs a workshop that you can peek in on and learn from as it goes)

Wulf Moon also has great workshops at Fyrecon, and is available as a professional editor and voice actor; check out his website for more info


Cat Rambo's Website: lots of good resources and classes

Submitting Short Fiction: Science Fiction, Fantasy and Genre Edition by Holly Lyn Walrath, a useful guide on playing the submission game written in 2019


Grants to apply for with the Speculative Literature Foundation

A listing at critter.org that shows general response times of various publications

Publisher's Pick Free Ebook of the Month (Maintained by Arc Manor of Galaxy's Edge)

On writing cover letters for submissions to the short fiction market by Christie

Wednesday, April 13, 2022

Review: Dreams Bigger than Heartbreak Unstoppable, Book 2

My review of Dreams Bigger than Heartbreak (Book 2 of Unstoppable) by Charlie Jane Anders

YA novel (e-book and audiobook), Science Fiction, Adventure, LGBQTA+

5 of 5 (heck yes!)

I loved how all the characters interact with each other. Everyone’s dealing with all their hang-ups and everything and it’s not always easy for them to talk with each other, but I love how they always try to manage to work through the issues as best they can. The characters and the worlds they inhabit are so beautifully realized. I had as much with this book as with the first one. Keep in mind, this is definitely a middle book—you better have read the first one if you’re reading this, and it’s certainly a setup for what comes next. But I really enjoyed seeing these characters grow after what they went through in the first book.

I also enjoyed how, despite being full of positivity and awareness of how to better engage with each other, the book didn’t shy away from the reality of people being ugly or misused—there’s definitely some of that for the characters to deal with in this book (and in whatever comes next).

Regarding the audiobook: the narrators were clear and excellent choices for each character. That said, I would not recommend experiencing this book as audio only. There’s a lot going on and a ton of places and characters and details, so personally I had to review what I listened to in my ebook version of the book. I’ll probably get the hardback later on to pair with my hardback version of the first book.

As for the cover art, beautiful. I'm a huge fan of the cover art for the first book, so I was glad to see a nice follow-up. The hardcover of the first book had some amazing inside cover art as well, but unfortunately I haven't been able to inspect the hardcover of book 2 yet, but I would hope for more of that.

Oh, and thank you to NetGalley and Macmillan-Tor/Forge for providing me with the ebook for review. I ended up reviewing this late, so, as an audiobook fan, I bought myself the audio version, too, before wrapping up my first read and review. Now I'm impatient for Book 3 of the Unstoppable.

External links to the review

Goodreads: https://bit.ly/3jF7Pua

Twitter: https://bit.ly/3xHZdLR

Audible: https://adbl.co/3KKKnri

Tuesday, March 15, 2022

Note to readers of this blog

Note to readers of this blog

If you were looking for an update on the monthly list of places to submit your creative work--major apologies, but I'm afraid life got in the way and I won't be updating that this month. Look out for next month's list though! In the meantime, I will be posting reviews of books I receive from NetGalley and some random books that I just enjoyed on my own. I've been reading a ton of comics and graphic novels recently, so I may post a few of those. Best of luck in your creative work and take a rest if you need it. There are some deadlines coming up, including Writers of the Future, so best of luck with those.

I recently attended Futurescapes, and may write more about that soon, but it has motivated me to put more work into a final revision pass of one of my novels, and start querying.

I'll check in again with another review, and then with an update to the list early next month, if not earlier.

Later!

RJK LEE


Review: DC Horror Presents: The Conjuring: The Lover

My review of  DC Horror Presents: The Conjuring: The Lover by David Leslie Johnson-McGoldrick, Rex Ogle, and Scott Snyder

Graphic Novel, Horror, Movie Tie-in

3 of 5 (I liked it but wasn't amazed)

Probably the most interesting part were the short stories at the end about various artifacts from the Warrens' collection, and not all of those were great. Still, if you're already a fan of the movies, you'll enjoy getting a bit more background, if still left wanting.

The main story itself felt like it had a solid character, but not enough content to go with that character. If she's going to be called names for being lesbian then there better be more content to actually provide reasons for all that and go in depth. For a fairly long story, it fell pretty flat. I was still glad I could read it, as I do love the movies and welcome more content connected to those movies, but I'm hoping the next one is better. I may have gone into this with higher hopes than I should've.

As for the art, bit unclear and too dark or out of focus in parts. In other parts, the creepy vibe was decent and suggested the protagonist's fall further down the dark spiral of this tale. Not my favorite, but it worked.

Thank you to NetGalley and DC Comics for providing me with a free digital copy in exchange for an honest review.

Also posted to Goodreads here.

Friday, February 11, 2022

Mid-February 2022 Update (with respect to Dave Farland)

Here's a mid-February update, with respects paid to the wonderful Dave Farland.

I just received the hard copy of my semi-finalist certificate for the Writers of the Future contest. This was for the fourth quarter in 2021, and it was for a very new story subbed to one other anthology before submission. The certificate has a nice gold trim to the background and lettering. My first semi-finalist after receiving several honorable mentions and one silver honorable mention. I was really looking forward to receiving Dave Farland's feedback on this one (apparently semi-finalists receive actual feedback from the coordinating judge), but sadly, that won't be happening. Dave suddenly passed away in January. Such a major, shocking blow to the creative community. He's been helping so many writers out there, not to mention the long list of works he himself has published. I did not know him well, but I did take a 3-day workshop from him and was in his Apex community. And of course I often read or listened to his advice. The sadness of loss is cold, but the thought of his wisdom and passion for writing is deeply encouraging. Please read his obituary here and this shorter one Locus Magazine here.

Dave Farland, here's to you and all you've done for the writing community. Much respect. May you be blessed in whatever comes after this life.

So, onward then...my focus has shifted to one of my novels, and I'm submitting fewer stories than last year as a result (still early days though so we'll see). Sent off my first 3000 words and a query letter to Futurescapes for workshopping in March. I'll be taking a class from Dan Wells on writing horror at the end of this month as part of that. The current work under revision has elements of supernatural horror spliced with cyberpunk, so I have to be aware of both genres. In the meantime, I'm doing a new pass on the novel with plans to revise and rework everything in light of the new opening. So fingers crossed that goes well and I start shopping this one around. I'll try to keep up with this blog in the meantime. Generally updated between the 1st and the 9th as usual, but this month, I have not had the focus for it.

Other than that, my reading has included lots of comics (such as Something is Killing the Children, Saga, Monstress), Dark Cheer: Cryptids Emerging Volume Blue (still working through all the stories; lots of great variety in this anthology; highly recommended and not just because my little story's in it), and Six of Crows (reading this as part of M. Todd Gallowglas' monthly class, Reading as a Contact Sport). I just finished listening to T.R. Napper's debut cyberpunk novel, 36 Streets. So good. I can't wait for my paperback copy to finally arrive on 2/19 so I can read more deeply. Recommended if you've read his anthology (Neon Leviathan), and if you haven't read that, what are you doing with your life?! I'll also be re-reading I Am Not a Serial Killer by Dan Wells (since I'm taking his workshop at the end of the month and I also want to review how he does horror/voice as I revise my own novel).

Where to submit your creative work? I've shifted things a bit, condensing the contents to just seven sections (no more closed publications listed) and any publication paying the equivalent of 5¢/word are now in section 3 or 4, so section 1 and 2 contains only those paying 6¢/word or more. Feel free to let me know if you find any typos, errors, or if you have any suggestions on changing the blog presentation and/or content in the future. I do this to help anyone out there subbing creative work and am welcome to any ideas to help with that.

New additions include the following:
Section 1: Chicken Soup for the Soul (2/28)Enchanted Conversation: A Fairy Tale Magazine (3/1-3/3)Tempered Tales: Medusa (3/1-3/15)Picnic in the Graveyard (5/1)PARSEC story contest (5/1)Dangerous Waters: Deadly Women of the Sea (8/1-8/15)Pseudopod (8/12-8/21)
Section 2: Futures at Nature.com (850-950 words, SF)
Section 3: Disabled Authors SFF Anthology (3/18), Triangulation: Energy (3/31)SNAFU: Dead or Alive (3/31)
Section 4: Crow Toes Quarterly (dark fiction; ages 8-13)GigaNotoSaurus (5000-25,000 words; spec)
Section 5: Troubadours and Space Princesses (3/31; an anthology in honor of Dave Wolverton)

EDIT: The updated lists are in no way exhaustive. There are many more out there if you browse the links in section 6. As I add more to the lists below, I'll mention the new additions here (up until the new blog post tentatively scheduled to be released around March 9th).

Added to section 1: Uncanny Magazine (3/14-3/21, flash)Nightmare Magazine (3/16-12 BIPOC; 3/13-19 general but not short stories)
Added to section 3: Fusion Fragment (2/13; SF of 2000-15k words)


Table of Contents:
1. Deadlines/Windows (2/15/2022 and beyond; paying 6¢/word or more)
2. Open Publications (no deadline; paying 6¢/word or more)
3. Deadlines/Windows (2/13/2022 and beyond; paying up to 5¢/word)
4. Open Publications (no deadline; paying up to 5¢/word)
5. Deadlines/Windows (2/15/2022 and beyond; advance/royalties or benefit/charity)
6. Search for More Markets Here
7. Browse Links to Advice/Lists/Workshops

1. Deadlines/Windows (2/15/2022 and beyond; paying 6¢/word or more)

2/15, Flame Tree (Monthly Flash Fiction Contest), 700-1000 words, 8¢/word, Genre: crime/mystery, Theme: Amateur Detectives, must subscribe to their newsletter, submit entry to Newsletter Editor Maria Tissot, maria@flametreepublishing.com w/ theme as subject heading and author details/bio at end of story

11/15-2/15, Orpheus + Eurydice Unbound (air and nothingness press), 1000-3500 words, 8¢/word, Genre: any, Theme: writers encouraged to write around one of the anthology's sections inspired by the Orpheus and Eurydice tale (The Wedding, The Snake/The Attack/The Death, The Quest, and The Look Back), Simultaneous NO, Multiple NO, Reprints NO, Standard Manuscript format w/ a few changes (Page Size: Letter; Margins: .5”; Font: Calibri 11 point, single spaced), submit with a one paragraph bio, email submissions to info@aanpress.com

2/1-2/21, Flash Fiction Online, open 1st-21st (closed Dec.), 500-1000 words, 8¢/word, Genre: any, Multiple (only 1 original and 1 reprint story concurrently), Reprints 2¢/word, anonymous submissions, note: closed in December

2/21-2/28, Cast of Wonders (an Escape Artists Podcast): Halloween Submissions, ~6000 words (query for longer; best fit is 3000-4500 or flash <1000), 8¢/word, Genre/Theme: specifically a Halloween submissions window (also should be YA, 12-17 age range, include a sense of wonder, have deep emotional resonance, and have something unreal about them), Anonymous submissions, Reprints OK, Simultaneous OK (notify if accepted elsewhere and may consider as reprint), Multiple NO, Editor:  Katherine Inskip, send submissions to Moksha link

2/1-2/28 (5 PM EST), Neukom Institute Literary Arts Award for Playwriting, $5000 (plus 29-hour workshop and public reading), open to all playwrights, Genre: seeking full-length plays and works for the theater, Theme: Neukom Institute Literary Arts Award for Playwriting, submissions should include 4 parts (anonymous copy of the piece, playwright resume/bio, production history of the piece, 1 page statement of purpose), submit to submission form on website (form available in February)

2/28, Chicken Soup for the Soul: Counting your blessings/attitude of gratitude, ~1200 words, $200, Genre: true stories (stories about handling challenges in your life, finding the silver linings, and counting your blessings, whether the challenges you are facing are COVID-19 related or other kinds), Poetry OK, Reprints NO (only exception to this is if your work has only been published in a small local publication with limited circulation or on your own blog), Simultaneous OK, Multiple NO, submit via online portal

3/1-3/3, Enchanted Conversation: A Fairy Tale Magazine, 750-1000 words, $50, Genre/Theme: fairy tales which include some element of the "weather" theme (also seeking essays on the theme of weather), Poetry OK, Non-fiction OK (essays on weather), Simultaneous OK, Multiple NO (only one per submission window), submit to katewolford1@gmail.com with submissions written in the body of the email (no attachments accepted) and brief bio and word count below the story or poem

3/1-3/7, Cossmass Infinities, 2000-10,000 words, 8¢/word, Genre: SF/F, Simultaneous OK, Note: this window limited to BIPOC, LGBTQ+ and other under-represented authors

3/6-3/12 (11 PM PST), Nightmare Magazine (BIPOC only window, ~7500 words, 8¢/word, Genre: Horror/Dark Fantasy, Poetry OK (up to 5 poems; $40), Creative Nonfiction OK (~1000 words), Reprints NO, Simultaneous OK, Multiple NO (but can submit one piece for each category during open periods)

3/1-3/14, Solarpunk Magazine, 500-7500 words, 8¢/word ($80 min), Genre: any (prefers solarpunk/SF/F/slipstream/magical realism/urban fantasy; not strict about genre), Theme: solarpunk (specifically any work that "speculates about a better world in an equitable future where humanity and technology have either achieved a healthy balance with nature, or have adapted to climate change in creative ways"), Poetry OK (up to 5 poems or 5 pages of poems, whichever is shorter; $40/poem), Translations OK, Simultaneous NO, Multiple (one submission per category of flash, short story, and poetry), Nonfiction OK (1000-1500 words, $75/piece), Art OK ($100/reprint cover, $300 original cover, $50 reprint inside, $150 original inside)


2/15-3/15, Human Monsters (Dark Matter Magazine presents a new horror anthology edited by Sadie Hartmann and Ashley Saywers), 2000-4000 words, 8¢/word, Genre: horror, Theme: Human Monsters (just messed-up tales of people doing awful things to one another; they do not want any supernatural/SF), English translations OK, Reprints NO, Simultaneous OK, Multiple (only after the first submission is rejected), submit stories to the submission portal open from 2/15 in doc/docx/rtf

3/1-3/15, Tempered Tales: Medusa, 500-1500 words (also:100-word drabbles; poems of ~350 words), 8¢/word (drabbles/poems=$50), Genre: Horror/Fantasy/Dark fantasy/Mystery (also welcomes genre mash-ups), Theme: Medusa (set in any time period; can rely heavily on her mythology or just give it a nod; should be her story, good or bad), Poetry OK, Reprints NO, Simultaneous (not mentioned), Multiple OK (up to 3/author), sub with attached Word doc to submissions@brigidsgatepress.com (with MEDUSA as subject heading; include full name, title, word count, trigger warnings, email address, author bio, and social media handles)





6/1-4/15, The Mike Resnick Memorial Award for Short Fiction (Annual Award for Best Unpublished Science Fiction Short Story by a New Author), ~7499 words, three winners (1st: $250, trophy, and paid publication in Galaxy's Edge; 2nd: $100; 3rd: $50), send anonymous submission with author/story info on title page to resnick@arcmanor.com, only for new authors (an author who has not had any work published that has been paid a per-word rate of 6 cents a word or more or received a payment for any single work of fiction totaling more than $50; if the author has self-published the piece then their total earnings from any single piece of fiction may not exceed $50 from all published venues)



























2. Open Publications (no deadline; paying 6¢/word or more)





































Solarpunk Magazine, 500-7500 words, 8¢/word ($80 min), Genre: any (prefers solarpunk / SF/F / slipstream / magical realism / urban fantasy; not strict about genre), Theme: solarpunk (specifically any work that "speculates about a better world in an equitable future where humanity and technology have either achieved a healthy balance with nature, or have adapted to climate change in creative ways"), (Poetry OK (up to 5 poems or 5 pages of poems, whichever is shorter; $40/poem), Simultaneous OK, Multiple (one submission per category of flash, short story, and poetry), Nonfiction OK (1000-1500 words, $75/piece), Art OK ($100/reprint cover, $300 original cover, $50 reprint inside, $150 original inside), Submission window for Issue 1 is 11/1/1-11/14,  Note: this window depends on their September/October Kickstarter success




















3.
 Deadlines/Windows (2/13/2022 and beyond; paying up to 5¢/word)

2/13, Fusion Fragment, 2000-15,000 words, CAD 3.5 cents / word (CAD $300 max), Genre: any SF (tastes lean toward slipstream, cyberpunk, post-apocalypse, and a little bizarre), Reprints OK (low acceptance rate), Simultaneous OK, Multiple NO, sub stories via their Moksha submissions portal

11/16-2/15, Dark Recesses (window for Spring Issue), 500-5000 words, 5¢/word, Genre: horror/dark fiction, note variants from standard manuscript format (single-spaced, no indents), Nonfiction OK (but read specifics on their site)

2/1-2/15, Ironwood edited by Anna Madden (Myriad's 2nd digital zine), ~1000 words, 5$ CAD, Genre: any speculative, Theme: Ironwood as the story seed (especially looking for stories with breathtaking, unique, wondrous worlds), submit doc/docx via submissions form

2/15, filling Station (Issue 79: Play), ~10 pages, CAD $50, Genre: literary/innovative work, Theme: play (also still open for general subs), Poetry OK (up to 6 pages), Nonfiction OK (up to 2 pieces; prefers experimental and up to 10 pages, Art OK (5-7 samples), Reprints NO, Simultaneous OK, Multiple NO, must include a mailing address and short bio (25 - 75 words) with your submission

2/16, Maps & Biomes (Issue 4 of Mythulu Magazine), 500-2800 words, 4¢/word, Theme: innovative settings are the foundation for new genres (Why do readers care about maps and what makes a map legendary? Submit short stories that feature wildly original biomes or bizarre weather. Show us settings fundamentally at war with character needs), Non-fiction OK (200-1200 words, 8¢/word, theme: On the business side, how do you make your map earn an ROI? And most of all, what makes a world good enough to spawn a new genre?), Art OK

2/16, Metaphysical Time, 300-1200 words, 5¢/word, Genre/Theme: stories w/ obvious metaphysical/pagan themes (also: articles on holidays, rituals, practices such as divination, herbalism, crystals, gods & goddesses, magical practices, energy work, shop opening, author interviews, news in the pagan community, archeological finds, reports from festivals and events, reviews of metaphysical and pagan books, analysis of magical texts, etc.), submit via the submissions form here

2/20, Orion's Beau, ~5000 words, $3, Genre/Theme: gay fantasy (open to SF/Fantasy/Paranormal/Dark Fantasy), Poetry OK, Art OK, Reprints NO, Simultaneous NO, Multiple OK (up to five shorter pieces or poems in the same document; up to 10 art pieces in one document) 

2/28, Nerve Janglers: Thirteen Tales of Terror (Night Terror Novels; edited by J. D. Keown), 2,500-10,000, £25, Genre/Theme: teen-grade YA Horror, Reprints NO, Simultaneous OK, Multiple OK (up to two submissions at a time), submit to nightterrornovels@gmail.com (see website for details)

2/15-2/28 (all authors) and 3/1-3/7 (BIPOC only), Apparition Literature (Wanderlust theme), 1000-5100 words, 3¢/word, Genre: any speculative (F/SF/Horror/Literary; wants strange, heart-breaking emotion, pro-active characters, and style; see more details on website), Theme: Wanderlust (upcoming: Omen in May and Nostalgia in August), Poetry OK (~2 pages/poem; sub ~5 poems/submission, $30/poem), submit stories to submissions@apparitionlit.com (use Shunn manuscript format, Times New Roman or Arial font, title file using story title and last name, attach to email as RTF file, email subject line of SUBMISSION: title of story)

2/28, Mud Season Review, ~6000 words, $50, Genre/Theme: general/literary (wants fully realized stories that remind us of what it means to be human, that take risks, that show us something new, and that stand up over multiple reads, deepening with each encounter), Poetry OK (portfolio 3-5 poems, up to 10 pages), Non-fiction OK (~6000 words), Art OK (1-6 images), submit via online portal

3/18, Disabled Authors SFF Anthology (Forest Avenue), ~5000 words (flash welcome), $100 (reprints $25), Genre: SF/Fantasy/Speculative by disabled writers living in the USA (literary with a touch of genre OK; a story that borders horror might be OK), Reprints OK, submit via online portal

3/31/2022, upstreet, ~5000 words, $50-$250 for short stories or essays (generally 5¢/word for ~1000 words), Genre: general/literary, Simultaneous OK, submissions window is September to March

3/31, Triangulation: Energy, ~5,000 words (sweet spot = 3,000; no poetry limit but over 100 lines a hard sell), 3¢/word (Poetry: 25¢/word), Genre: SF/Fantasy/Horror/Weird (must have a speculative element), Theme: the possibility of creating sustainable energy with alternative technologies or social change, Poetry OK, Reprint NO, Multiple NO (but can sub another story if rejected before end of reading period), Simultaneous NO, sub via Submittable link w/ a short bio in the cover letter

3/31, SNAFU: Dead or Alive (Cohesion Press), 2,000-10,000 words, AU5¢/word, Genre: SF/Fantasy/Horror, Theme: action-based horror in the wild west


5/15-5/31 (all authors) and 6/1-6/7 (BIPOC only), Apparition Literature (Omen theme), 1000-5100 words, 3¢/word, Genre: any speculative (F/SF/Horror/Literary; wants strange, heart-breaking emotion, pro-active characters, and style; see more details on website), Theme: Omen (upcoming: Nostalgia in August), Poetry OK (~2 pages/poem; sub ~5 poems/submission, $30/poem), submit stories to submissions@apparitionlit.com (use Shunn manuscript format, Times New Roman or Arial font, title file using story title and last name, attach to email as RTF file, email subject line of SUBMISSION: title of story)

5/1-5/31, Abyss & Apex (poetry window), prefers "lineated free verse with a limited amount of traditional form poetry with at least 9 lines or prose poems at least 50 words in length but we will publish brilliant shorter work", $5.50/poem, Genre/Theme: any speculative (seeks strong, emotionally resonant, literary-quality poetry with a clear speculative element), dark poetry welcome but not horror

7/1-7/14, Cosmic Horror Monthly edited by Charles Tyra, 1000-7500 words (prefer 3000-5000), 3¢/word (1¢/word reprints), Genre: Cosmic Horror/Lovecraftian/Weird, Theme: strongly favors stories with a contemporary narrative style (Lovecraftian themes and mythos works are welcomed but try to avoid Lovecraft pastiche and styles mimicking that of his writer circle from the early 20th century), Reprints OK (1¢/word), Art OK (interior $10-$20; $100 cover), Simultaneous OK, Multiple NO, (submit as doc/docx attachment with cover letter including brief background/word count/brief synopsis to submissions@cosmic-horror.net

8/1, Brute: Raunch, Scares, and Rough Trade (Lethe Press; edited by Lambda Literary Award winner Steve Berman), 2500-9000 words, 5¢/word, Genre: Horror/Dark Fantasy/Weirdness, Theme: dark and speculative short stories that address gay sexuality, desire, masculinity, and the aesthetics of "rough trade", Reprints OK (1¢/word), Simultaneous NO, Multiple NO, Note that you must query concept details first before submission

5/16-8/15, Dark Recesses (window for Fall Issue), 500-5000 words, 5¢/word, Genre: horror/dark fiction, note variants from standard manuscript format (single-spaced, no indents), Nonfiction OK (but read specifics on their site)

8/15-8/31 (all authors) and 9/1-9/7 (BIPOC only), Apparition Literature (Nostalgia theme), 1000-5100 words, 3¢/word, Genre: any speculative (F/SF/Horror/Literary; wants strange, heart-breaking emotion, pro-active characters, and style; see more details on website), Theme: Nostalgia, Poetry OK (~2 pages/poem; sub ~5 poems/submission, $30/poem), submit stories to submissions@apparitionlit.com (use Shunn manuscript format, Times New Roman or Arial font, title file using story title and last name, attach to email as RTF file, email subject line of SUBMISSION: title of story)


4. Open Publications (no deadline; paying up to 5¢/word or more)

Apparition Literature, 1000-5100 words, 3¢/word, Genre: any speculative (F/SF/Horror/Literary; wants strange, heart-breaking emotion, pro-active characters, and style; see more details on website), Theme: Charm theme open to BIPOC until 12/7/2021 (upcoming themes are Wanderlust in February 2022, Omen in May, and Nostalgia in August), Poetry OK (~2 pages/poem; sub ~5 poems/submission, $30/poem), submission windows include February 15-28 (March 1-7 BIPOC creators only), May 15-31 (June 1-7 BIPOC creators only), August 15-31 (September 1-7 BIPOC creators only), November 15-30, (December 1-7 BIPOC creators only), submit stories to submissions@apparitionlit.com (use Shunn manuscript format, Times New Roman or Arial font, title file using story title and last name, attach to email as RTF file, email subject line of SUBMISSION: title of story) 

Black Hare Press, 5000-17,000 words, $25 (5k-10k), $50 (10k-17k), Genre: anything dark, anonymous submissions, wants British spellings, anthology in print and digital formats, include in email real name, pseudonym, ~100 word bio w/ ~4 social links, 40-word blurb, ~500-word synopsis

Bourbon Penn, 2000-7500 words, 2¢/word, Genre: speculative (odd/imaginative ones), especially slipstream/cross-genre/magic realism/absurdist/surreal

Crow Toes Quarterly, ~3000 words, $25 (1-1500 words) or $50 (1501-3000 words), Genre: playfully dark fiction for children ages 8-13, Poetry OK (1-5 pieces in a single doc/pdf; $20/poem), Art OK (1-5 pieces; $20-60), Simultaneous OK, Multiple NO, submit to ctqsubmissions@gmail.com with brief bio (include type of submission, title of submission, and name of artist/author in the subject line)

Dark Moon Digest, opens on the 1st every month and closes when full 1500-7000 words, 3¢/word, Genre: Horror (complex, creepy, like Twilight Zone or Black Mirror, Simultaneous OK















5. Deadlines/Windows (2/8/2022 and beyond; advance/royalties or benefit/charity)

6. Search for More Markets Here










Where to Submit Short Stories: 30 Magazines and Websites That Want Your Work, a decent list with a literary focus

7. Browse Links to Advice/Lists/Workshops

Shadowspinners often has a wonderful assortment of blog posts from various writers, such as Eric M. Witchey.

M. Todd Gallowglas does some fun and engaging classes that really inspire you to produce meaningful new work; check out his shows on Twitch or his workshops

Wulf Moon's Super Secrets: a ton of great advice on writing short stories that win (he runs a workshop that you can peek in on and learn from as it goes)

Wulf Moon also has great workshops at Fyrecon, and is available as a professional editor and voice actor; check out his website for more info


Cat Rambo's Website: lots of good resources and classes

Submitting Short Fiction: Science Fiction, Fantasy and Genre Edition by Holly Lyn Walrath, a useful guide on playing the submission game written in 2019


Grants to apply for with the Speculative Literature Foundation

A listing at critter.org that shows general response times of various publications

Publisher's Pick Free Ebook of the Month (Maintained by Arc Manor of Galaxy's Edge)

On writing cover letters for submissions to the short fiction market by Christie